International Circulation of Italian Cinema
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Paola Brembilla & Damiano Garofalo
/ What Does a Movie Lawyer Do? An Interview With Alessio Lazzareschi
Damiano Garofalo
/ The Critical Reception of ‘Fuocoammare’ Abroad
Stefano Guerini Rocco
/ The Critical Reception of ‘Le Quattro Volte’ Abroad
Damiano Garofalo
/ The International Circulation of ‘Fuocoammare’
Stefano Guerini Rocco
/ The International Circulation of ‘Le Quattro Volte’
Paola Brembilla & Damiano Garofalo
/ Promoting Italian Cinema In The World. An Interview With Roberto Cicutto (Luce Cinecittà)
Damiano Garofalo
/ The International Circulation of ‘Io Sono L’Amore’
Paola Brembilla & Damiano Garofalo
/ Italian TV Series And The International Market. An Interview With Riccardo Tozzi (Cattleya)
Paola Brembilla
/ The Critical Reception of ‘…E tu vivrai nel terrore! L’aldilà’ Abroad
Emiliano Morreale, Paolo Noto & Massimo Scaglioni
/ The International Circulation of National Cinemas and Audiovisual Content – Conference Final Program
Paola Brembilla
/ The International Circulation of ‘…E tu vivrai nel terrore! L’aldilà’
Damiano Garofalo
/ The Resurgence of Indie Cinema. An Interview with Graham Swindoll (Kino Lorber)
Paola Brembilla
/ The Critical Reception of ‘Romanzo Criminale’ Abroad
Paola Brembilla
/ The International Circulation of ‘Romanzo criminale’
Damiano Garofalo
/ Exporting Italian Comedies in the US. An Interview with Nancy Gerstman and Adrian Curry (Zeitgeist Films)
Elena Prati
/ The Critical Reception of ‘Il Conformista’ Abroad
Damiano Garofalo
/ Making Italy Marketable. An Interview With Neal Block (Magnolia Pictures)
Dom Holdaway
/ The Critical Reception of ‘Pranzo di Ferragosto’ Abroad
Elena Prati
/ The International Circulation of ‘Il Conformista’
Damiano Garofalo
/ Cinema Made in Italy. An Interview With Ira Deutchman
Dom Holdaway
/ The International Circulation of ‘Pranzo di Ferragosto’
Paolo Noto
/ Netflix and Italian Cinema. An Interview With Andrea Occhipinti (Lucky Red)
Dom Holdaway
/ The Critical Reception of ‘Habemus Papam’ Abroad
Paolo Noto
/ Italian Quality Television Abroad. An Interview With Mario Gianani (Wildside)
Damiano Garofalo
/ The Critical Reception of ‘La Grande Bellezza’ Abroad
Dom Holdaway
/ The International Circulation of ‘Habemus Papam’
Paola Brembilla
/ The Critical Reception of ‘Saturno Contro’ Abroad
Damiano Garofalo
/ The International Circulation of ‘La Grande Bellezza’
Paola Brembilla
/ The International Circulation of ‘Saturno Contro’
Paola Brembilla
/ The Critical Reception of ‘To Rome With Love’ Abroad
Luca Barra
/ Bloomington, Italy. An Interview with Jon Vickers (Indiana University Cinema)
Paola Brembilla
/ The International Circulation of ‘To Rome With Love’
Stefano Guerini Rocco
/ The Critical Reception of ‘L’Ultimo Bacio’ Abroad
Elena Prati
/ Between Theaters and Festivals: Italian Cinema Distribution in The Russian Federation
Stefano Guerini Rocco
/ The International Circulation of ‘L’Ultimo Bacio’
Martina Lovascio
/ The Circulation of Italian Cinema in the UK: Challenges and Opportunities
Stefano Guerini Rocco
/ Italian Cinema in Switzerland. An Interview with Luca Morandini (MFD)
Elena Prati
/ The Critical Reception of ‘Cesare Deve Morire’ Abroad
Paola Brembilla
/ Bringing Italian Cinema to the UK. An Interview with Clara Caleo Green and Lorenzo Tamburini (CinemaItaliaUK)
Elena Prati
/ The International Circulation of ‘Cesare deve morire’
Stefano Guerini Rocco
/ Italian World Cinema: Alice Rohrwacher’s ‘Lazzaro Felice’ Abroad
Paola Brembilla
/ The Critical Reception of ‘Gomorra’ Abroad
Elena Prati
/ The Critical Reception of ‘La Bestia Nel Cuore’ Abroad
Elena Prati
/ The International Circulation of ‘La Bestia Nel Cuore’
Damiano Garofalo
/ Visconti Goes to the Midwest. An Interview with David Filipi (Wexner Center for the Arts)
Elena Prati
/ The Critical Reception of ‘Nuovomondo’ Abroad
Paola Brembilla
/ The International Circulation of ‘Gomorra’
Elena Prati
/ The International Circulation of ‘Nuovomondo’
Damiano Garofalo, Dom Holdaway & Massimo Scaglioni
/ The International Circulation of European Cinema
Rossella Catanese
/ How French and American Film Magazines Describe Italian Cinema
Luca Barra & Paolo Noto
/ The Italian Submissions to the Academy Awards and Their Foreign Digital Distribution
Giuseppe Previtali
/ The International Circulation of Italian Mondo Movies
Catherine O'Rawe
/ The Non-Professional in the Reception of Italian Cinema Abroad
Damiano Garofalo
/ Italian Cinema in The Shadow of Film Festival Crisis
Marco Cucco
/ The Academy Award in the Promotion of Italian Films
Massimo Scaglioni
/ Film Distribution, Film Circulation, and the Role of Italy
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