International Circulation of Italian Cinema
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Dom Holdaway & Massimo Scaglioni
/ From Distribution to Circulation: Mapping Italian Films Abroad
Michele Fadda & Damiano Garofalo
/ The Distribution of Italian Cinema in the United States
Luca Barra & Marta Perrotta
/ Contemporary Circulation of Italian Cinema Across US Television and Digital Platforms
Damiano Garofalo, Dom Holdaway & Massimo Scaglioni
/ The International Circulation of European Cinema
Damiano Garofalo
/ The Critical Reception of ‘Fuocoammare’ Abroad
Stefano Guerini Rocco
/ The Critical Reception of ‘Le Quattro Volte’ Abroad
Damiano Garofalo
/ The International Circulation of ‘Fuocoammare’
Stefano Guerini Rocco
/ The International Circulation of ‘Le Quattro Volte’
Damiano Garofalo
/ The International Circulation of ‘Io Sono L’Amore’
Paola Brembilla
/ The Critical Reception of ‘…E tu vivrai nel terrore! L’aldilà’ Abroad
Emiliano Morreale, Paolo Noto & Massimo Scaglioni
/ The International Circulation of National Cinemas and Audiovisual Content – Conference Final Program
Paola Brembilla
/ The International Circulation of ‘…E tu vivrai nel terrore! L’aldilà’
Paola Brembilla
/ The Critical Reception of ‘Romanzo Criminale’ Abroad
Damiano Garofalo
/ The Critical Reception of ‘Io Sono L’Amore’ Abroad
Paola Brembilla
/ The International Circulation of ‘Romanzo criminale’
Elena Prati
/ The Critical Reception of ‘Il Conformista’ Abroad
Dom Holdaway
/ The Critical Reception of ‘Pranzo di Ferragosto’ Abroad
Elena Prati
/ The International Circulation of ‘Il Conformista’
Dom Holdaway
/ The International Circulation of ‘Pranzo di Ferragosto’
Dom Holdaway
/ The Critical Reception of ‘Habemus Papam’ Abroad
Damiano Garofalo
/ The Critical Reception of ‘La Grande Bellezza’ Abroad
Dom Holdaway
/ The International Circulation of ‘Habemus Papam’
Paola Brembilla
/ The Critical Reception of ‘Saturno Contro’ Abroad
Damiano Garofalo
/ The International Circulation of ‘La Grande Bellezza’
Paola Brembilla
/ The International Circulation of ‘Saturno Contro’
Paola Brembilla
/ The Critical Reception of ‘To Rome With Love’ Abroad
Paola Brembilla
/ The International Circulation of ‘To Rome With Love’
Stefano Guerini Rocco
/ The Critical Reception of ‘L’Ultimo Bacio’ Abroad
Elena Prati
/ Between Theaters and Festivals: Italian Cinema Distribution in The Russian Federation
Stefano Guerini Rocco
/ The International Circulation of ‘L’Ultimo Bacio’
Martina Lovascio
/ The Circulation of Italian Cinema in the UK: Challenges and Opportunities
Elena Prati
/ The Critical Reception of ‘Cesare Deve Morire’ Abroad
Elena Prati
/ The International Circulation of ‘Cesare deve morire’
Stefano Guerini Rocco
/ Italian World Cinema: Alice Rohrwacher’s ‘Lazzaro Felice’ Abroad
Damiano Garofalo
/ The Critical Reception of ‘Youth’ Abroad
Paola Brembilla
/ The Critical Reception of ‘Gomorra’ Abroad
Damiano Garofalo
/ The International Circulation of ‘Youth’
Damiano Garofalo
/ The Critical Reception of ‘A Bigger Splash’ Abroad
Elena Prati
/ The Critical Reception of ‘La Bestia Nel Cuore’ Abroad
Damiano Garofalo
/ The International Circulation of ‘A Bigger Splash’
Elena Prati
/ The International Circulation of ‘La Bestia Nel Cuore’
Elena Prati
/ The Critical Reception of ‘Nuovomondo’ Abroad
Paola Brembilla
/ The International Circulation of ‘Gomorra’
Elena Prati
/ The International Circulation of ‘Nuovomondo’
Rossella Catanese
/ How French and American Film Magazines Describe Italian Cinema
Luca Barra & Paolo Noto
/ The Italian Submissions to the Academy Awards and Their Foreign Digital Distribution
Giuseppe Previtali
/ The International Circulation of Italian Mondo Movies
Catherine O'Rawe
/ The Non-Professional in the Reception of Italian Cinema Abroad
Damiano Garofalo
/ Italian Cinema in The Shadow of Film Festival Crisis
Marco Cucco
/ The Academy Award in the Promotion of Italian Films
Massimo Scaglioni
/ Film Distribution, Film Circulation, and the Role of Italy
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